Those chosen for the series are words that belong to the language of music but possess semantic ambiguity when translated into other contexts in which they are usually used. Standing out in the center of the surface they take on image value. The background is executed in spray paint that gives both a pulviscular valence to the color resting on the surface and a dynamism that stirs the whole, including meanings. In the present work, the word “accidents” gathers and multiplies ab infinitum the themes and meanings of the entire operation at work in the exhibition.